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eBay THE DOORS Strange Days SEALED limited edition 45 rpm 200 gram Vinyl 2 LP set. Analogue Productions AAPP 74014-45. Stereo, limited edition remastered reissue. COVER & VINYL: MINT still sealed, never played, heavy gatefold cover. Mastered by Doug Sax using an all-tube system. Overseen by Bruce Botnick, The Doors producer/engineer. Two 45 rpm LPs pressed on 200-gram vinyl at Quality Record Pressings Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings! “… This double 45 offers incredible dynamics, beautiful detail and just comes alive in my room. The drums are so dynamic and alive it is startling on some cuts. Morrison’s voice is right there with all its power and gravel. It never breaks up, but simply sounds so right. … To be honest, these are better than I ever dreamed rock music from the sixties could sound. I want to thank everyone at Analogue Productions for bringing me such sweet sounds from some of my favorite music ever. My highest recommendation!” — Jack Roberts, dagogo.com, September 2012 A truly authentic reissue project, the masters were recorded on tube equipment, and the tape machine used for the transfer of these releases is a tube machine, as is the cutting system. Tubes baby! This is no time to wallow in the mire. The Doors are on Analogue Productions! Originally released in 1967 Ray Manzarek, keyboards Jim Morrison, vocals John Densmore, drums Robby Krieger, guitar A1 Strange Days 3:05 A2 You’re Lost Little Girl 3:01 A3 Love Me Two Times 3:23 B1 Unhappy Girl 2:00 B2 Horse Latitudes 1:30 B3 Moonlight Drive 3:00 C1 People Are Strange 2:10 C2 My Eyes Have Seen You 2:22 C3 I Can’t See Your Face In My Mind 3:18 D When The Music’s Over 11:00 Technical notes about the recording process by Doors producer/engineer Bruce Botnick: “Throughout the record history of the Doors, the goal between Paul Rothchild and myself was to be invisible, as the Doors were the songwriters and performers. Our duty was to capture them in the recorded medium without bringing attention to ourselves. Of course, the Doors were very successful, and Paul and I did receive some acclaim, which we did appreciate. “If you listen to all the Doors albums, no attempt was made to create sounds that weren’t generated by the Doors, except for the Moog Synthesizer on Strange Days, although that was played live in the mix by Jim, but that’s another story. The equipment used was very basic, mostly tube consoles and microphones. Telefunken U47, Sony C37A, Shure 56. The echo used was from real acoustic echo chambers and EMT plate reverb units. In those days, we didn’t have plug-ins or anything beyond an analogue eight-track machine. All the studios that we used, except for Elektra West, had three Altec Lansing 604E loudspeakers, as that was the standard in the industry, three-track. On EKS-74007, The Doors, we used four-track Ampex recorders and on the subsequent albums, 3M 56 eight-tracks. Dolby noise reduction units were used on two albums, Waiting For The Sun and The Soft Parade. Everything was analogue, digital was just a word. We didn’t use fuzz tone or other units like that but created the sounds organically, i.e. the massive dual guitar solo on “When The Music’s Over,” which was created by feeding the output of one microphone preamp into another and adjusting the level to create the distortion. The tubes were glowing and lit up the control room. “When mastering for the 45-RPM vinyl release, we were successfully able to bake the original master tapes and play them to cut the lacquer masters.” – Bruce Botnick, July 2012 “… Kassem has once again (as with the Impulse 45 RPM series) met the highest of expectations with these (album) covers. The 200 gram platters, housed in QRP rice paper sleeves, are equally impressive, arriving clean, flat and playing silently with nary a pop or tic throughout … this dead quiet, ultra-dynamic pressing showcases the epic (“The End”) bringing out low level detail that simply can’t be heard on the already fantastic-sounding Monarch pressing original. … Immediately upon dropping the needle on the Analogue Productions 45 RPM reissue of Strange Days, you know that you’re about to experience something special. … This 45 RPM pressing gives up none of the emotion or midrange complexity of the original and forces none of the overly tight bass sometimes heard on audiophile reissues in the process. … This is as good as an audiophile reissue can get and I give it my highest recommendation.” – My Vinyl Review “The double 45 (Strange Days) offers far greater dynamics, detail and uniformity among the tracks since the cut never extends near the high frequency curtailing inner groove area. … It’s the best sounding edition you will ever hear and well worth the price, especially if you had any idea what AP’s Chad Kassem had to go through to convince the powers that be to let him use the original analog master tapes, and what he had to pay for the privilege.” – Music = 10/11; Sound = 10/11 – Michael Fremer, Analog Planet, July 2012 ***FACTORY SEALED***NEVER PLAYED*** PLEASE READ BEFORE PURCHASING: WE ACCEPT PAYPAL ONLY *** PLEASE WAIT FOR AN INVOICE IF YOU ARE BUYING MORE THAN ONE ITEM AT A TIME. ANY MULTIPLE ITEMS PAID FOR SEPARATELY (INSTEAD OF GROUPED TOGETHER AND PAID FOR ON ONE INVOICE FOR COMBINED SHIPPING DISCOUNT) WILL BE SHIPPED IN SEPARATE PACKAGES. NO EXCEPTIONS. NO REFUNDS! OUR SHIPPING COSTS INCLUDE COST FOR PACKAGING, TRANSPORTATION, AND FREIGHT. We can NOT bear responsibility for packages lost or damaged by the Postal System. If you do not agree with this Please DO NOT purchase or bid! GRADING. Grading is visual only unless otherwise stated. I go by Goldmine standards and try to be conservative. I will play grade on certain items only – it is just impossible for me to play grade everything I put on EBAY. RECORD GRADING: MINT (M) —- It should be SEALED and appear to be brand new. Mint means STILL SEALED, NEVER PLAYED. NEAR MINT (NM or NM-) —- OPENED or UNSEALED. Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident. VERY GOOD PLUS (VG++ or strong VG++ or VG+++) The record or cover that all but the most particular collector would say looks outstanding. Cover may have insignificant manufacturers defect such as notch hole or cut corner. VERY GOOD PLUS (VG+ or strong VG+) The record has been handled and played infrequently or very carefully. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptable for most collectors. Cover has most of its original gloss and has been well taken care of. Minor seam splits may be acceptable. VERY GOOD (VG or strong VG) —- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, non-feelable marks that might or will affect the sound as mild occasional surface noise or periodic pops/clicks. Usually a cover is VG when one or more of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc. VERY GOOD- (VG- or G+) Record will show signs same as VG with heavier wear including noticeable groove wear and feelable marks that will likely pop or click. Popping or clicking will be most evident through quieter passages. Record should play all the way through, but may skip. GOOD (G) —- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping, but may skip. Several cover flaws will be apparent, but should not obliterate the artwork. Filler copy until a better one can be found. POOR (P) —- Any record or cover that does not qualify for the above “Good” grading should be seen as Poor. Only the rarest of records should ever be graded as Poor while the others should go to the trash heap. DISCLAIMER. Due to the number of frivolous returns which were unwarranted, and due to the nature of sound recorded products that can be easily copied, there will no longer be a free return policy. I will charge a $10.00 return fee for all returns – this amount will be deducted from the Paypal refund of the returned item. If item is truly defective the entire purchase amount will be refunded as long as the item is in the same condition as it was sent. ***BUYER PAYS FOR ALL RETURN SHIPPING FEES.*** ATTENTION!! INTERNATIONAL BUYERS: USPS has done away with Surface and Air mail. Replaced with First Class International (FCI) which is supposed to be Air Mail. Also, FCI cannot be tracked. Bidders must agree to take full responsibility if they select FCI. We can NOT bear responsibility for packages lost or damaged by the Postal System. If you do not agree with this Please DO NOT purchase or bid! If you want protection it is available using Priority Mail. Any package over 4 pounds (4 or more LPs) it is automatically sent Priority. Please wait for an invoice when purchasing 4 or more LPs so that we may get an exact shipping quote from the Post Office. Media and Priority still in effect in US.. SHIPPING FEES (USA only): US MEDIA MAIL (USA customers only):$ 7.00 (LP) plus $1.00 per each additional LP purchased: US PRIORITY MAIL (USA customers only): $20.00 (LP) plus $1.00 per each additional LP purchased. INTERNATIONAL SHIPPING ONLY……………………………………. CANADA ONLY (USPS First Class Mail International): $40.00 (LP) plus $4.00 per additional LP. FIRST CLASS MAIL INTERNATIONAL: (All non-USA overseas buyers) $50.00 (LP) plus $8.00 per each additional item purchased. PRIORITY MAIL INTERNATIONAL: $60.00 (LP) plus $8.00 per each additional item purchased. This shipping method will be used when shipping weight exceeds 4 pounds (4 or more LP records). All other combinations are actual weight and can only be provided after packing. ***SHIPPING & HANDLING COSTS ARE INCLUDED IN THESE PRICES. NOTE: I combine shipping! So buy more and save on shipping!! WE ACCEPT PAYPAL ONLY!

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